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Condal, whose sly screenplay made Johnson a surprisingly entertaining “Hercules” in 2014.

His fingerprints are on this film’s surprises, barbed sarcasm, showy good and evil characters and unexpected fatalities.

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Director Brad Peyton handles the action chops proficiently.

It began a career that has gone from New York, to North Carolina, all the way to Utah.

In addition to working with clients, Marc spends a great deal of time in Dan John’s Lab (aka garage) constantly looking for better ways to do things.

The comics are presented here in reverse chronological order.

What can we expect from film studios deeply committed to marketing pre-existing brands beyond creative death due to excessive nostalgia? Given its mindless source material — a dusty, 1980s, giant monster arcade game — “Rampage” ought to be monotonous and boring.

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