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Lee So-yeon makes her slightly thin character memorable through considerable screen presence, while Jang Hyun-seong of independent films Nabi and Rewind gives the performance of his career.Whatever we feel about the character he portrays, Jang's performance is so real and natural that we can't help but be drawn to him.Although the general path followed by the plot is pretty straightforward, Song leads us down many odd and fascinating detours.There is So-yeon's uncle, a middle-aged man with bleached blonde hair who hasn't spoken since his wife abandoned him.To capture a natural setting so well on a medium that often feels cold and sterile is an unusual accomplishment.The relaxed, convincing performances of the actors also deserve notice.In Song's other works, such elements sometimes feel forced or self-consciously arty, but here they blend with the otherworldly presence of the island and add a sense of mystery.

Although it did open in the number two seat slightly behind Another Public Enemy, word of mouth soon launched it into the number one position during its second week.

As an omnibus work, 1.3.6 has to be considered a failure, especially as the three films (Jang's amusing Sonagi Epilogue, Lee's poorly-received Mobius Strip, and Song's poetic Git) don't match, not just in length but in form, content, mood, style, and quality.

But if Song betrayed the spirit of the omnibus project, he remained true to the needs of his film.

This may have been what happened with Git by Song Il-gon, the director of Flower Island (2001), Spider Forest (2004), and various award-winning short films including The Picnic (1999).

Git was originally commissioned as a 30-minute segment of the digital omnibus film 1.3.6.

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